In 2016, the U.S. Department of the Interior produced this presentation where 11 veterans honor all other veterans. This authentic testament powerfully expresses how all of us who have served the country feel about others who have done the same. For yours truly, it is a profound honor to lend my voice to theirs in expressing appreciation to all of those who have served in the U.S. Armed Forces:
While I have never had the pleasure of working directly with award-winning writer, producer, director, author, and creative executive James Sweigert – nor have we ever met in person – we have become well-acquainted over the past 15 years or so. The paths we’ve forged individually have never quite overlapped, and yet, through an incredibly vast shared network, our virtual connections have generated sparks.
Chicago-based one-stop cross-media production company Sarofsky is opening its doors and inviting the world-at-large to take part in a series of educational opportunities. The ongoing workshop series is entitled Sarofsky Labs.
Company principal, creative director and director Erin Sarofsky, explains her reasons for lighting this fuse: “After speaking at global creative conferences including FITC, F5, DesignThinkers, the AIGA National Design Conference and OFFF, I realized that engaging in the community is just as important to the field as doing the work. What better way to do that than by opening up our studio and inviting talented people in for a workshop? It’s intimate, personal, and offers invaluable working experience inside our world.”
Courtesy of Motionographer: With Between the Keyframes, industry legends Austin Shaw and Erin Sarofsky take on hot topics in an effortless back and forth as they candidly discuss the crazy world of Motion Design, from their biggest mistakes to their ample frustrations to the unique insights that will tee up the next generation.
I freely admit to being a pretty big fan of Malcolm Gladwell. Still, like many people, his recent comments on The Diary Of A CEO podcast left me wondering exactly why he was trashing the idea of working from home. In the episode’s headline, he blames this phenomenon for “destroying” us. Within the in-depth conversation with host Steven Bartlett, the New York Times best-selling author overtly doubts our abilities to contribute to society, to fashion meaningful lives, and to engage professionally, from outside corporate offices.
My deep appreciation for the talents of acclaimed photographer and filmmaker Sam Jones are well-documented in this site. To be honest, for any subject Sam chooses to make a film about, I will be on the edge of my seat. As you may have heard, Sam’s new HBO documentary, “Tony Hawk: Until the Wheels Fall Off” premieres tonight on HBO Max.
YouTube commenter “Heckler 220” mentions thinking about this documentary every day since seeing it: I can relate completely. Everyone who grew up in my generation was saturated with exposure to the Beastie Boys, Run DMC, and all the stars deemed famous by the non-stop pop-culture shock-and-awe of our era. Imagine hanging out behind the scenes with one of the wildest party people given total free range among the glitterati, who had the tenacity, gumption, and skill to capture them all through his camera lens.
That is the scene writer-director Josh Swade and his collaborators plunge us straight into, turning deep admiration and their all-seeing camera toward the world famous Ricky Powell, who lived that feverish dream until leaving us a year ago today at the age of 59. On film,
For American high school students of the mid-80s, “cable” and MTV radically impacted our perceptions of the world – and of the realm of possibilities. Driven, determined, ambitious, and male, my own dreams of success (focused in aerospace – and/or show business) took high-contrast form under the spells of John Hughes, Randal Kleiser, George Lucas, and Steven Spielberg. “Risky Business” was another phenomenon of time-space that refracted my aspirations. When the bold “Real Genius” and the ridiculous and ballsy “Top Secret!” appeared on HBO, I was star-struck. Next came “Top Gun,” and the alchemy of Cruise, Kilmer and their like cinematically orchestrated by master storytellers subconsciously seized control of my outlook.
Thus inspired, I brought my A-game to the film and television industry. Along the way, through digitalization, cameras became more accessible. Despite not being in position to direct my own “National Lampoon,” I could shoot stuff for fun, experiment, and document my life.
It winds up, while he was living the life millions dreamt about, heartthrob and “Einstein of the 80s” (according to the “Real Genius” poster) Val Kilmer was also shooting stuff for fun, and documenting his life.
Two months from today, our son will turn 18. Searching memory banks and analyzing recent conversations, I am recalling that unwelcome rise of daunting external pressures. As an adult, I understand that pressure makes it extra hard for most people to make good decisions … overall in life, and even in basic conduct.