Unique insights and actionable ideas from The Darnell Works Agency’s daily quest for greatness.
According to The Hollywood Reporter, Danny Boyle’s 2012 Summer Olympics “large-canvas nation-themed spectacle” of an opening ceremony will always be remembered as one of the most eccentric and memorable Games’ kickoffs in history. Since NBC’s broadcast reportedly attracted nearly 41 million viewers, THR has also named it the highest rated Summer Olympics opening of all time.
My reaction:
Back in 2000 when I was working for The Terpin Group in Los Angeles leading PR campaigns for dot-com companies with extremely high aspirations, my colleagues and I knew that there was absolutely one way of hitting a home run, and that was placing a story with The Associated Press. AP stories generate massive exposure, as they are syndicated in major media outlets across the country and around the world. And of course, if you have a story that’s good enough for the AP, it’s good enough for everyone. With this in mind, imagine how powerful it would be if you had the chance, today, to meet with Paul Caluori, the AP’s Global Director of Digital Services, and Philana Patterson, the AP’s Small Business and Breaking News Editor, to learn what they look for in story submissions. Thanks to Business Wire, it’s on.
Back in February of this year, Business Wire hosted a webinar featuring Paul and Philana, where they shared exactly these types of insights. Here are a few of the bullet points from the secrets they shared.
Read moreSharing secrets: How to write stories for The Associated Press
Back in 1997, a very ambitious dream came to life at the hands of Joy Glidden and Tyson Daugherty, who were residents of the DUMBO or Down Under the Manhattan Bridge Overpass area of Brooklyn. Thanks to their dedication, the first D.U.M.B.O. Art Under the Bridge Festival kicked-off, using the neighborhood’s unique urban landscape and its gifted occupants to vibrantly showcase new art and ideas. Since then, the highly successful event has been presented every year in late September, thanks to Glidden and Daugherty’s stewardship via the DUMBO Arts Center through 2009, and thanks to Two Trees Management Company since then.
While the DUMBO Arts Festival grew to welcome more than 200,000 visitors each year for its eclectic and popular mix of film screenings, live music, fashion shows, performances, open studios and arts-centered activities for all agees, from all appearances, its time has now passed. The event’s official website http://dumboartsfestival.com refers to the festival’s closure after 2014.
Happy Friday, friends! I hope your work week is wrapping up nicely and that you’ll soon be able to enjoy some well-earned downtime, like a lot of people have been doing all week in Cannes (kidding, of course). Before ending this week, I wanted to share this video I’m embedding here from experience design agency Freestate, and a few more comments about the significance of winning a Cannes Lion award.
As you can hear first-hand from FreeState’s creative director Adam Scott in this video directed by Ilan Metev, FreeState won a Gold Design Lion at Cannes in 2013 after designing the world’s largest kinetic sculptures for Blackpool’s promenade. Under the heading of “Why Winning a Lion Matters – An Agency’s View,” Mr. Scott enlightens us while pedaling his bike around the city: “Sometimes it’s hard to find your way, and especially hard given it’s so darn crowded out here…. How do you stand out,” he asks.
And about the results of winning Cannes Lion Gold, he continues: “I would say people are far more interested in our approach, and that has to be a good thing. And well, if it can happen to us then it can certainly happen to you.”
Isn’t that lovely? Also, to me, it’s a perfect summation to what it means to win a Cannes Lion.
Meanwhile, the image I’m providing here offers a newer angle into this discussion. Taken hours ago
I have written in the past about the serious 2013 campaign automotive brand Scion launched to help motivated young professionals scale their careers upward. Those multifaceted efforts included a series of brand films where they convened very bright and successful creative industry achievers to provide spot-on insights about key business imperatives. You can see for yourself that what they created packages the real, proven stuff. In the 10-minute episode embedded above, in order of appearance, you get to meet Justin Thomas Kay of Doubleday & Cartwright, Joshua Prince aka Dust La Rock of Fool’s Gold Records, Cody Hudson of Struggle Inc. and Longman & Eagle, and artist Kenton Parker… and hear their candid responses to these questions:
Read moreSharing secrets: Scion Motivate’s “Visual Identity” panel
It’s safe to say that the illustrious Allison Dollar has had a huge impact on my professional career, beginning with assignments she gave me in 1993 and 1994 to write the annual Florida Regional Production Guides for the national film and television industry trade magazine “In Motion,” which was published by Phillips Business Information (PBI). Allison and I have kept in-touch over the years, and her unique expertise and first-hand knowledge of cutting-edge innovation across the media landscape is a constant reminder of how lucky I am to know her. Read on for more of Allison’s background, and to learn about a fascinating upcoming panel discussion she is co-hosting on 21 August through the Interactive Television Alliance (ITA), the non-profit she established in 2002 to represent the interests of companies that create, distribute and enable interactive programming.
Reviewing the nine-year history of this blog, innovation is one of the most oft-recurring themes. With the main goal of providing you with more information about myself and my business activities, but also seeking to incorporate developments I find illuminating from the fields of marketing, science, technology and entertainment, anything that might provide insight into new thinking or new ways of achieving success in these areas makes it onto my shortlist for universal positive posts.
To me, the above video produced by Fast Company during its 2013 Innovation By Design conference is a perfect example of the type of inside information that really helps us all understand specific ideas and strategies we can adopt to do things differently, and most likely, better. Here is another great story connected to innovation in product design.
. 10 Lessons My Startup Team Learned from a Massive Product LaunchOn 14-15 October, Fast Company’s Innovation By Design Awards and Conference will return to NYC’s Metropolitan Pavilion, and advance registration is now open.
Read moreSpotlight on innovation via yours truly and Fast Company
When trying to communicate with someone, it is vitally important to understand who that person is, whether or not they speak your language, their age, where they live… and also, factors like what’s on their mind right now, and where they are physically. The point of this article is to emphasize that communication – and marketing – is usually a waste of time if the particulars of the human beings comprising the audience are not taken into account. Personally, I’m shocked at how often people fail to address this mission-critical first step, explained so effectively by Seth Godin in the video presented here.
Effective communicators like Mr. Godin begin their programs by assessing their target audiences, exploring the relevant demographics and/or psychographics, and analyzing data. Indeed, the information we exude into the world is measured and used… whether we know it or not.
I find it interesting that the executives behind “Silicon Valley” chose the recent SXSW Film Festival to host the world premiere for their new HBO series. From everything I’ve seen, anticipation is ramping up quickly for the official April 6 debut on HBO. I thought I’d share the trailer with you and also pass along a taste of the great review by The Hollywood Reporter’s Tim Goodson. Be sure to check-out the full story.
In Goodson’s words, “The Mike Judge-created series about life in modern-day Silicon Valley
Trojan Horse was a Unicorn (THU) is a four-day Digital Entertainment Festival set for 18-21 September in sunny Troia, Portugal, promising unique opportunities to learn and network in paradise. If you’re not already planning to attend, consider putting it on your 2014 calendar. A premier event for producers, animators, game developers, concept artists, 3D generalists, VFX and CG professionals and the curious, passionate, restless and fearless, this first edition of THU will unite at least 700 professionals and students from around the world for four days of talks, demo-classes, roundtables, investment pitches, recruitment sessions, recruitment challenges and much more.
