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Leviathan’s Reputation Soars Worldwide as Specialized Creative Agency Reinventing Design, Digital Media, and Interaction
Close Cooperation Between Management, Reps and DWA Maximized Stellar Opportunities, Positioned Company as Legitimate Rockstar
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A key component of cross-discipline design and innovation consultancy Envoy Group, 
Leviathan is a specialized creative agency working at the nexus of design, digital media, and interaction. By bringing phenomenal narrative content and emerging technologies into physical environments, Leviathan transforms ideas into exceptional experiences for brands and creative collaborators worldwide. Established in 2010, Leviathan’s innovation has been recognized by top-tier publications including Communication Arts, The Creators Project, Fast Company, Forbes, The Verge, Vox and Wired, among many others.
This case study appears in Roger Darnell’s new book on communications consulting, coming in 2021.
Back in 2011, my clients at specialized creative agency Leviathan joined together with some very talented colleagues to help the pioneering electronic musician and producer Amon Tobin and his record label, Ninja Tune, promote what would become one of the decade’s biggest musical tour stories. Immediately after its premiere in Montreal, Adrian Covert of Gizmodo called it “the concert of the future, today.” In retrospect, to me, there were a few key aspects that made ISAM Live so phenomenal. First, Mr. Tobin had a 15-year history of pushing the creative boundaries in sound recording, sound design and music production as part of Ninja Tune, a London-based indie record label known for visionary innovation. With that ground situation, the expectations of anyone on the outside looking in were already very high.
Creators was VICE’s arts and culture platform, covering every aspect of the creative process. Its mission was to make art more accessible to a wider audience with diverse voices reporting on emergent arts and artists.
From sculpture and light projections to street art and dance, the platform’s curators and contributors immersed themselves in cultural hotbeds and travel to the far corners of the globe to explore the spectacle and color of making art today.
CHICAGO – Having opened its doors in Chicago on Feb. 13, the 150 North Riverside Plaza has unveiled the 150 Media Stream, a digital art installation unlike anything in the United States.
The lobby of Riverside Investment & Development (Riverside)’s stunning, 53-story office tower designed by architect Goettsch Partners will serve as 150 Media Stream’s permanent home. A transit-oriented development located alongside the Chicago River in the West Loop, the award-winning project’s flagship tenants include the global headquarters of renowned investment bank William Blair and Company, iconic hotelier Hyatt Corporation, Navigant Consulting, as well as the Chicago office of Kansas City-based law firm Polsinelli. The project also includes a dynamic restaurant concept by Four Corners Tavern Group and restaurateur Brendan Sodikoff.
Commissioned by Riverside and curated by Creative Director Yuge Zhou, 150 Media Stream’s display concept and physical structure were designed by McCann Systems in cooperation with media firm Digital Kitchen. McCann Systems then led the design-build process, with specialized creative agency Leviathan engaged to produce the initial artistic content.
Last month, the principals of creative studio Leviathan decided to unveil their experimental proof-of-concept project entitled “Ghost Box,” which they designed to demonstrate how almost any product of any size can be brought to life by projection with you as the director. Distributed to leading creative industry media outlets worldwide as a video with a short description, the hope was to ignite enthusiasm and excitement around the project and Leviathan’s vision, artistry and craftsmanship. As shown in the demo video, Leviathan’s first application for Ghost Box was an interactive art installation involving music from Waveplant, but they also revised it into a custom car configurator. The video concludes, “Such technologies could be used for anything from a storefront window to a large-scale event,” and asks: “Now that we know it’s possible, what do you want to build?” Here are some responses.