ESPN: Thanks for the Documentaries

ESPN 30 for 30 is an unprecedented documentary series featuring 30 films from some of today’s finest storytellers. Each filmmaker brings their passion and personal point of view to their film detailing the issues, trends, athletes, teams, rivalries, games and events that transformed the sports landscape from 1979 to 2009. The series kicked off in … Read moreESPN: Thanks for the Documentaries

Shilo goes theatrical in new film for “FELA!”

Live entertainment advertising agency Serino Coyne (previously Art Meets Commerce) recently commissioned the filmmakers at creative production company Shilo to produce a broadcast spot for the landmark Broadway musical “FELA!” as part of show’s integrated campaign.

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Designing characters, stories and more with Jose Sebastian Gomez

WeMakeItGoodIf you haven’t seen the book “We Make It Good” from the filmmakers at creative production company Shilo, you are hereby enthusiastially encouraged to check it out.

As you’ll see there, much of the company’s extraordinary content leverages the character design talents of Co-Founder, Creative Director and Director Jose Sebastian Gomez.

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The power of dreams…

At an early age, I decided I was going to be a writer. Somewhere along the way, I also took a strong interest in filmmaking, and being very ambitious, by the time I was 20 years old, I developed a clear vision of myself as novelist and filmmaker. While I have made great strides on achieving those dreams over the years, I must admit that I have a long way to go in seeing them through; nonetheless, those dreams have driven me into situations that I never would have imagined, and while I’ve not yet fully accomplished those missions, I feel very fortunate to have progressed as far as I have.

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Laura Longsworth: Thanks for the Documentary

Thanks once again to Sundance Channel, I recently had another life-altering experience from a documentary film they chose to program. This time, the film is entitled “Luckey,” it was produced, written and directed by filmmaker Laura Longsworth, and it documents the challenges faced by sculptor Tom Luckey to carry on with his life, his artistry and his business after experiencing a major spinal injury.

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Creative Entrepreneurs: David Bouck

While attending the Boards Summit last October, I had the pleasure of meeting David Bouck (IMDB, LinkedIn), a veteran producer working in commercials, television and feature films. David is the founder and executive producer of Means of Production in Vancouver, a production services company specializing in television commercial production and still photography servicing all of Canada. After recently sending me his latest company reel (featured above), I peppered him with questions which he has kindly answered below.

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Case Study: a52

Last updated on Jan. 15, 2010: a52 Earns Continuous Coverage in Target Market and Industry Trade Media, Extends Key Vendor and Client Relationships

“Strategic Public Relations Campaign Keeps a52 Atop Industry Radar”
See also: a52 MEDIA COVERAGE . ELASTIC MEDIA COVERAGE . ROCK PAPER SCISSORS MEDIA COVERAGE

a52, an award-winning LA-based visual effects boutique serving the international commercial, music video and premium-television industries.

Executive Summary
During DWA’s 10-year tenure as the PR agency of record for a52 (2000-2010), projects touched by the immense talents at the LA-based visual effects boutique earned top honors from Adweek, Advertising Age, ‘Boards, Creative Review, Creativity, SHOOT and Shots, top Automotive Advertising, BDA, British Design and Art Direction, Clio, Emmy (Best Main Title and Best Commercial), International Andy, London International Advertising and PROMAX Awards, among many others… and screened at the Museum of Modern Art in the prestigious annual AICP Show each and every year.

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Heroes of heroes: Damion Clayton

My formal studies into the amazing artform of the music video began in 1981, when MTV first appeared. I was 15. Soon, I’d watched so many that I was dreaming them… and since then, hearing great music has always triggered MTV-inspired cinematic visions. Today, my studies continue, and I consider myself very lucky to have crossed paths with many masters in this field, each of whom is a hero to a director who has made something I’ve seen on television and loved, for one reason or another. Damion Clayton, editor at Rock Paper Scissors, is one of those heroes.

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Proven social media marketing strategies, tactics and breakthrough ideas for the ad and film industries

This week I had the pleasure of attending a webinar entitled, “Tweet this! Using Twitter and Social Media to Promote your Project and Yourself,” which was organized and moderated for StudioDaily.com by Film & Video Magazine’s Editor-in-Chief Bryant Frazer, and featured Mike Monello, co-founder and executive creative director at Campfire Media and co-producer of “The Blair Witch Project,” Erik Proulx, freelance creative director, copywriter, employment activist, social entrepreneur at Please Feed the Animals, and director of the short documentary film, “Lemonade,” Ian Schafer, CEO of Deep Focus, and Paul Klinke and Tobin Nageotte, co-founders of thirtysevenclick, and producers of the independent comedic short “Moustachette.”

Read moreProven social media marketing strategies, tactics and breakthrough ideas for the ad and film industries

Kevin McMahon: Thanks for the Documentary

At some point over the past several weeks, my eyes were opened to the global water crisis, but I see now that I’m only beginning to get the full picture. Last week, I posted an entry on Irena Salina’s “FLOW,” and last night, my wife and I had another chance to see that amazing film thanks to it being repeated on the Sundance Channel. This morning, we found it there again and watched more of it with our 8-year-old daughter. After these viewings, I realized that there was a second powerful film I had recently seen (thanks again to Sundance Channel) on this subject: filmmaker Kevin McMahon’s “WATERLIFE.”

Read moreKevin McMahon: Thanks for the Documentary